Q

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  • CHANCE.

    I am about this close to achieving my life-time goal: to be a Lian.

    What I’ve been doing right:

    • Live in the Heartlands. (A birth privilege, so booyah to the rest of you.)
    • Wear predominantly denim hotshots.
    • Fixation on bubble tea.
    • Talk in inappropriate volumes in public.
    • Have straight hair.
    • …DYED straight hair.
    • Dance at home in my room in my underwear.
    • Troll the heartland streets at midnight.
    • Take a lot of self-shots.

    All I’m missing now is a Beng boyfriend. K here’s now it works in the Heartlands. If you’re of their species, they’ll smell you out within the half km radius. (You’ll smell them out too, usually of cigarettes.) The mating dance then commences – a period of jostling from their Beng entourage, and one will emerge and ask The Line. Yes, The Line, it never varies much and is a ubiquitous code known to all in our area: ‘You wan to be my fren?/Yao bu yao zuo peng you.’

    If you’re available, you need to say yes to be initiated completely into the core of the Beng/Lian community. If you don’t, you’re not ready to. You have failed. But it’s okay, because in the Heartlands, you get this opportunity every few months (as long as you’re of age, don’t look like a complete troll, and give off appropriate Lian emanations.) I’M READY. I’M READY DAMMIT. I want to wear my hotshots and drink bubble tea while screaming vulgarities at my piss-haired boyfriend with his half-price phoenix tattoo. But I missed my chance and now I have to wait for the next cycle when the Beng season is on again.

    It happened just a couple days ago. This time it was on the bus. Couple of Bengs smoking at the bus-stop. AH YES, the bus-stop, cesspit of mating rituals; also known as the Beng Scouting Platform. You board the bus, take a seat. And BAM! (you smell it. The scent of Marlboro. Initiation time.)

    ‘aahh hallo. you know my fren j’now.. wan to be your fren.’

    -blank stare-

    (HOW COULD I. I have prepared so long for this.)

    ‘yooou gottwitter?’

    (I could have redeemed myself here, but no.)

    ‘no.’

    (To be honest it’s because I couldn’t understand what he was saying. Mumbly incoherent Bengs and the works, yknw.)

    ‘orh. den got facebook?’

    (DAMMIT there was where I realized he was asking for Twitter before AND YES I SHOULD HAVE SAID YES YES YES. I even have one of those pre-fixed Lian Facebook screen-names dammit.)

    ‘no.’

    (WHY. WHY. WHY.)

    ‘orh means you donwan be fren wif him la?’

    (At this point I realized OHSHITOHSHIT I am about to lose my tri-monthly chance of being part of the Beng/Lian Society, and WOULD have said yes, except I’d said no the first two times, and OCD dictates a third yes. I don’t know okay. It just seemed incredibly logical and natural and RIGHT to give him a perfect set of three ‘no’s. Damn you OCD.)

    ‘no.’

    ‘orh kay then never mind.’

    (Almost immediately the regret set in. It was so swift, this regret, I actually said sorry.)

    ‘hahaha… sorry.’

    ‘no probrem no probrem.’

    (POLITE BENG IS POLITE.)

    WHY. WHY. WHYYYYYYYYYYYYYYYYYYYYY. NEXT TIME ROUND. I PROMISE. I PROMISE I’LL BE READY IN ALL MY HOTSHORTS GLORY. I WILL BE READY FOR YOU AH BENGS. I WILL BE READY TO JOIN MY PEOPLE.

    April 12, 2012

  • the greatest love story i’ve ever read.

    The 24-Hour Dog
    by Jeanette Winterson (in The World and Other Places) 

    He was soft as rainwater. On that first night I took him across a field mined with pheasants that flew up in our faces when we fused them out. The vertical explosion of a trod pheasant is shock enough when you know it. I knew it and it still skitters me. What could he know at two months old, head like a question mark?
    I made him walk on a lead and he jumped for joy, the way creatures do, and children do and adults don’t do, and spend their lives wondering where the leap went.
    He had the kind of legs that go round in circles. He orbited me. He was a universe of play. Why did I walk so purposefully in a straight line? Where would it take me? He went round and round and we got there all the same.
    I had wanted to swim. I had wanted to wash off the hot tyre marks of the day. I wanted to let my body into the obliging water and kick the stars off the surface. I looped my dog-lead through a trough-hoop and undressed. Oh this was fun, a new pair of socks to chew and an old pair of boots to lie on. His questioning head sank to a full stop and he didn’t notice me disappear under the water. The night smelled of rosemary and hay.
    Oh, this was not fun, his sun drowned and him lost in a dark world without his own name. He started to yap with the wobbly bark he had just discovered and then he discovered he could use his long nose as a Howitzer and fire misery into the fearful place where there had been no fear. I used my arms as jack levers and raised myself out of the pool. I spoke to him, and he caught the word as deftly as if I had thrown it. This was the edge of time, between chaos and shape. This was the little bit of evolution that endlessly repeats itself in the young and new-born thing. In this moment there are no cars or aeroplanes. The Sistine Chapel is unpainted, no book has been written. There is the moon, the water, the night, one creature’s need and another’s response. The moment between chaos and shape and I say his name and he hears me.

    I had to carry him home, legs folded, nose in my jacket, he was twice as big as a grown cat even now, but small as my arms would allow.

    I had collect him that morning from his brothers and sister, his mother, his friends on the farm. He was to be my dog, shot out of a spring litter, a coil of happiness. Bit by bit he would unfold.
    He liked my sports car until it moved. Movement to him was four legs or maybe two. He had not yet invented the wheel. He lay behind my neck in stone-age despair, not rigid, but heavy, as his bladder emptied his enterprise, and the blue leather seats were puddled under puppy rain.
    We were home in less than five minutes and he staggered from the car as though it were the hold of a slave ship and he left aboard for six months or more. His oversize paws were hesitant on the gravel because he half believed the ground would drive off with him.
    I motioned him to the threshold; a little door in a pair of great gates. He looked at me: What should he do? I had to show him that two paws first, two paws after, would jump him across the wooden sill. He fell over but wagged his tail.
    I had spent the early morning pretending to be a dog. I had crawled around my kitchen and scullery on all fours at dog height looking for toxic substances (bleach), noxious hazards (boot polish), forbidden delights (rubber boots), death traps (electric wires), swallowables, crunchables, munchables and saw-the-dog-into-half shears and tools.
    I had spent the day putting up new shelving and re-arranging the cupboards. A friend from London asked me if I was doing Feng Shui. I had to explain that this was not about energy alignments but somewhere to put the dog biscuits.
    I re-routed the washing machine hoses. I had read in my manual that Lurchers like to chew washing machine hoses but only when the machine is on; thus, if they fail to electrocute themselves, they at least succeed in flooding the kitchen.
    The week before I had forced my partner to go into Mothercare to purchase a baby gate. The experience nearly killed her. It was not the pastel colours, piped music and cartoon screen, or the assistants, specially graded into mental ages 2-4 and 4-6, or the special offers, 100 bibs for the price of 50, it was that she was run down by a fork lift truck moving a consignment of potties.
    I fitted the gate. I tried to patch up my relationship. I spent a sleepless night on our new bean bag. I was pretending to be a dog.
    The farmer telephoned me the following day.
    ‘Will you come and get him now?’
    Now. This now. Not later. Not sooner. Here now. Quick now.

    Yes I will come for you. Roll my strength into a ball for you. Throw myself across chance for you. I will be the bridge of the pulley because you are the dream.

    He’s only a dog. Yes but he will find me out.

    Dog and I did the gardening that virgin morning of budding summer. That is, I trimmed the escallonia and he fetched me the entire contents of the garage, apart from the car. It began with a pruning gauntlet he could see I needed. There followed a hanging basket, a Diana Ross cassette, a small fire extinguisher, a handbrush that made him look like Hitler, and one by one a hoarded collection of Victorian tiles. Being a circular kind of dog he ran in one door to seek the booty and sped out of another to bring it to me. He had not learned the art of braking. When he wanted to stop he just fell over.
    I looked at the hoard spread before me. Perhaps this was an exercise in Feng Shui after all. Why did i need a Diana Ross tape? Why was I storing six feet of carpet underlay? I don’t have any carpets.
    The questions we ask of the universe begin and end with questions like these. He was a cosmic dog.

    The lights had the quality of water. I was moving through a conscious element. Time is a player. Time is part of today, not simply a measure of its passing.
    The dimensionality of time is not usually apparent. I felt it today in the light like water. I knew I was moving through something that had substance. Something serious. Here was the dog, me, the sun, the sky, in a pattern, in a dance, and time was dancing with us, in the motes of light. The day was in the form of us and we were in the form of the day. Time would return it, as memory and as futurity; part of the pattern, the dance that I had refused.

    *

    He lay under the table fast asleep while I shelled broad beans. My cats, of which there are four, had taken up sentinel positions on the window ledges. The dog was bottom dog, no doubt, but twice as big as they were. They had not yet understood their psychic advantage. This dog did not know what size he was; he felt tiny to himself. He was still a pocket dog.
    I looked at him, trusting, vulnerable, love without caution. He was a new beginning and every new beginning returns the world. In him, the rain forests were pristine and the sea had not been blunted. He was a map of clear outlines and unnamed hope. He was time before or time after. Time now had not spoilt him. In the space between chaos and shape there was another chance.

    Night came. We made out journey to the pool. We swam back through the ripples of night. The light wind blew his ears inside out. He whimpered and fell asleep. When I finally staggered him home he was upside down.

    I had bought him a bean bag with a purple cover tattooed with bones and chops. Who designs these items and why? What person, living in a town like England, sits down to doodle bones and chops? What kind of a private life does this design suggest? Is it a male or a female?
    All these questions had presented themselves but there had been no alternative. A friend once told me that as soon as she had become a parent, the discriminating good taste of her adult life had been ambushed by the garish crowd of design-bandits. She was finally at the mercy of the retail mob. You want a romper suit? Well they’ve all got bunnies on them. You want a doggy bean bag? Well, we cover them in an orgy of chops.
    Chops away! Over he went in a somersault of yelping pleasure. Was this really for him? He hurled himself at it and cocked an eye at me from under his paw. Would I shout at him? No! He was a new dog. The world was his bean bag.

    I shut the cats in the kitchen with their cat flaps. I shut the dog in the scullery with his ball and his bed. I shut myself away in the room that is sleep.
    I had read in my manual that a dog must be dominated. He must not sleep upstairs. He must sleep alone.
    An hour later I woke up. I understood that my dog had not read the manual. He told this to the night in long wails. I did not know what I should do and so I did nothing. He had been used to sleeping in a heap with his brothers and sister. Now he was alone. He called and kept calling and this time I did not answer. Chaos was complete.

    About nine o’clock I went downstairs into the kitchen. The cats were on their perches, glaring at me with bags under their eyes like a set of Louis Vuitton luggage.
    ‘We’re leaving home’ they said. ‘Just give us our breakfast and we’re off.’
    I fed them and they queued up at the cat flap like a column of ants.
    I glanced in the mirror. The bags under my eyes needed a porter’s trolley.
    Next question. The dog?

    I opened the door into the scullery. The dog was lying on his bean bag, nose in his paw, a sight of infinite dejection. I stood for a moment, then he unsteadily got up and crawled across the floor to me on his belly. As anticipated by the manual, I had become the master.
    I let him out into the sunlight. I have him his gigantic bowl of cereal and milk. I have always loved the way dogs way their food; the splashy, noisy, hog pleasure of head in trough. I am a great supporter of table manners but it is worthwhile to be reminded of what we are.
    And that was the problem; the dog would pour me and every pin hole would be exposed. I know I am a leaky vessel but do I want to know it every day?

    He’s only a dog. Yes but he has found me out.

    *

    I clipped on his lead and walked him round the fields in my dressing gown and boots. If this seems eccentric, remember that my soul had been exposed and whatever I wore was of no use to cover it. Why dress when I could not be clothed?
    He circled along in his warm skin, happy again because he was free and because he belonged. All of one’s life is a struggle towards that; the narrow path between freedom and belonging. I have sometimes sacrificed freedom in order to belong, but more often I have given up all hope of belonging.
    It is no use  trying to assume again the state of innocence and acceptance of the animal or the child. This time it has to be conscious. To circle about in such gladness as his, is the effort of a whole lifetime.

    The day was misty and settled on his coat like a warning. I was looking into the future, thinking about what I would have to be to the dog in return for what he would be to me. It would have been much easier if he had been an easier dog. I mean, less intelligent, less sensitive, less brimful of that jouissance which sould not be harmed.
    It would have been much easier if I had been an easier person. We were so many edges, dog and me, and of the same recklessness. And of the same love. I have learned what love costs. I never count it but I know what it costs.

    *

    I telephoned the farmer. ‘You will have to take him back.’ I said. ‘I can’t do this.’

    It had been the arrangement between us from the start; when there were six puppies in a squealing heap and one by one sensible country people had come to claim them. There is no reason why I should not keep a dog. I had enough land, enough house, enough time, and patience with whatever needs to grow.
    I had thought about everything carefully before I had agreed to him. I had made every preparation, every calculation, except for those two essentials that could not be calculated; his heart and mine.

    My girlfriend carried the bean bag. I walked the dog, gaiety in the bounce of him, his body spinning as the planet spins, this little round of life.
    We were escorted off the premises by my venerable cat, an ancient, one-eyed bugger of a beast, of whom the dog was afraid. At the boundary of our field, the cat sat, as he always does, waiting for us to come back, this time by ourselves.

    As we reached the farm, the dog hesitated and hung his head. I spoke to him softly. I tried to explain. I don’t know what he understood but I knew he understood that he would not be my dog any more. We were crossing the invisible line high as a fence.
    For the last time I picked him up and carried him.

    Then of course there was his mother and his brothers and sister and I gave them biscuits and bones and the bean bag was a badge of pride for him. Look what he had been and got.
    We put him in the run and he began to play again, over and tumble in a simple doggy way, and already the night, the pool, the wind, his sleeping body, the misty morning that had lain on us both, were beginning to fade.
    I don’t know what the farmer thought. I mumbled the suitable excuses, and that it was true that my partner had just heard she would be working away for some weeks, and that it is tough to manage one’s own work, the land, the house, the animals, even without a brand-new dog.
    What I couldn’t say was that the real reason was so much deeper and harder and that we spend our lives deceiving ourselves of those real reasons, perhaps because when they are clear they are too painful.

    I used to hear him barking in the weeks that followed. His bark aimed at my heart. Then another person claimed him and called him Harry, and took him to live on a farm where there were children and ducks and company and things to do and the kind of doggy life he would never have had with me. What would I have done? Taught him to read?
    I know he won’t be the dog he could have been if I had met him edge to edge, his intensity and mine. Maybe it’s better that way. Maybe it’s better for me. I live in the space between chaos and shape. I walk the line that continually threatens to lose its tautness under me, dropping me into the desk pit where there is no meaning. At other times the line is so wired that it lights up the sole of my feet, gradually my whole body, until I am my own beacon, and I see then the beauty of newly created worlds, a form that is not random. A new beginning.
    I saw all this in him and it frightened me.

    I gave him a name. It was Nimrod, the mighty hunter of Genesis, who sought out his quarry and brought it home. He found me out. I knew he would. The strange thing is that although I have given him away, I can’t lose him, and he can’t die. There he is, forever, part of the pattern, the dance, and running beside me, joyful.

    April 12, 2012

  • faults.

    i think i’m old enough to do this. a non-comprehensive list of my flaws, while i’m still in the let’s be brutally honest i want to improve myself gear – which doesn’t come by very often.

    1. i love talking and discussing about myself way too much.

    2. almost never make the effort to ask friends out.

    3. can’t keep my own secrets.

    4. over-confidence leading to undue contentment leading to complete inertia.

    5. i don’t want enough things.

    6. i don’t want things enough to try for them.

    7. even when i should, i don’t confront people/things.

    8. sometimes i’m a self-righteous prick.

    9. it’s hard for me to tell my friends how much i like them.

    10. i judge people by their sense of humor.

    11. i play up whatever someone thinks me to be.

    12. which is starting to confuse me because i’ve caught myself saying contradictory things to different people.

    13. …yet i still agree with both stances. which means i don’t have solid convictions.

    14. i’m nicer to pretty girls.

    15. i like to interfere too much.

    16. cut myself too much slack.

    17. can’t handle commitments.

    18. make almost no effort at humility.

    19. not wise enough to perceive all my faults.

    but i’ll try. feel free to bitch about me to me so i can include them in the next list!

    April 8, 2012

  • more.

    Youth, to me, was a masculine version of The Bell Jar.

    Thematically, semi-autobiographies of aspiring writers on the cusp of adulthood. The immensity of every decision, the sudden departure from the refuge of childhood. Both protagonists are racked with ideals.

    The difference is in the way each author treats their personages’ ideals. We all know how Plath ends up soon after, and in her resignation there is an quiet understanding that her ideals were foolish. Predetermination; once the book begins, our protagonist is already aware of the end – because she is Plath at the end of her journey. The Bell Jar becomes fatalistic, the whole ride through. Coetzee, on the other hand, lives – and I imagine him to be a happy man. In Youth he recognizes that his ideals failed him, and in turn he has failed his ideals – but he never once denounced them. There’s a childlike, sheepish embracing of romance and beauty – an obstinate refusal to see how he teeters on pretension. Both novels end the way I love it – like life. Truncated, uncertain. It doesn’t suggest hope or hint at despair. It just is that.

    I really liked Youth because I could see myself, vaguely, in it. The endless reading, the avoidance of commitment, the refusal to work if it’ll take time from what I like to do despite all sensibilities. He fumbles around adult decisions and obscurely thinks that he’s made the wrong choices – except he’ll never know.

    The stretch where he quit his job, woke up each morning with that guilty freedom, walking and reading ceaselessly, the stagnant pages where his poems/prose should be because he gained unfortunate consciousness of self. And I wanted to say: that’s my life! something I can rarely do for books.

    Besides that – being a confused fresh adult with commitment issues thrown into the world – I have little in common with him. His dull misery, the desire to be submerged in suffering or full misery, I don’t get. Again, the childlike, indulgent ideals he embraced as a Youth. I’m pretty sure Coetzee has grown out of that – or he wouldn’t be able to write so succinctly of his experiences. (In fact he captured the entire ignorance of youthful ideals very well which must have been somewhat humiliating for him to go through again.)

    Why I thought of The Bell Jar when reading Youth is cuz of something more intangible. A short section of it, at the peak of his doubts and before he found some kind of transformation, at his most indulgent of ramblings – came that feeling of absolute desolation. By desolation I mean that abysmal, striking revelation that there’s nothing to everything. Basically that There Is No Point.

    Celine’s experience with the Bell Jar was more intense than mine. While she was at it, she claimed to feel as Plath did, as if she were in a Bell Jar and for awhile I think she was experiencing that – absolute desolation. I finished mine in one sitting – on a journey home and before a nap, which gave me space to compartmentalize it from the rest of my life, so it didn’t hit as bad. But I recognized the sudden, struggling fear while reading, that Plath might be right – that there might really not be a point in anything at all. Which I glimpsed in Coetzee before John found change.

    It’s so easy to sink.

    April 7, 2012

  • Oh.

    “Usually he does not know his own mind, does not care to know his own mind. To know one’s own mind too well spells, in his view, the death of the creative spark.”

    Is this why I haven’t been able to write for such a long, long time?

    :-(

    April 6, 2012

  • That is all.

    April 5, 2012

  • ‘scream.

    Starting on-job training at RWS tomorrow! I suspect I’ll have less time with this space, so a round of recommendations to make up for it?

    Mid-way through J.M Coetzee’s Youth. I was raring to get my hands on that one, because the protagonist is 1) male (I love male protagonists, they’re much more tolerable), and 2) He’s 19! For awhile I’ve felt suspended at an age where good books were either above or below my age range. There were seldom any books tailored specially for 16/17/18 year olds that did not involve lots of sex and proms, things I have little interest in experiencing through text. Youth is, surprise surprise, very age appropriate (although sex is still prevalent) – John is full of ideals and the need to live alone and be all fantastic but fails a lot on the way. Also I heard J.M Coetzee’s text is used for this year’s ‘A’ Level Literature, so yay. Lit texts are always pretty good.

    I’ve reached my goal of having Strawberry Cheesecake at 5 different i/c stores within a month! ACHIEVEMENT UNLOCKED.

    So in March, I decided to scout around for and then compare good Strawberry Cheesecake i/c because I can’t get enough of them things. Most of the time I get really distracted and order other exciting flavors, and sometimes they don’t have Strawberry Cheesecake so I end just getting strawberry or cheesecake. But anyway, with a ranking:

    1. b&j

    It’s actually kind of impossible, ever, to beat Ben & Jerry’s when it comes to Strawberry Cheesecake. At least for me. I love mine really rich, cheesy and salty and sickeningly sweet with that doughy, crusty texture. So far only B&J could reach that intensity of flavor.

    2. baskin-robbins

    This comes pretty close in the intensity. But it loses out on texture. Damn thinking about this makes me wanna walk down to Nex to get some. AND SELEGIE TAU HUEY. Which I had in the morning but am already dying for more.

    3. ice age

    Ice Age cafe along Kovan, where they serve ice-cream WHICH ARE REALLY. GOOD. but they charge insane service charges on top of their already steep prices. WORTH IT THOUGH. Just don’t eat it in the Cafe. Have it away from the crowd and save like two bucks or something.

    4. candylicious

    This is actually gelato, but it’s not as rich. In fact if you’re at Candylicious, get Peanut Butter. Celine and I had that for two days straight. The first day we shared and it was so good, the second day we had one each.

    5. venezia

    Although I love Venezia gelato, and could not stop eating them for a long while, their Strawberry Cheesecake is disappointing. GET YOGGI. No, actually, get Yoggi WITH Strawberry Cheesecake. THAT one’s explosive.

    Next, to try Creamier, where Shereen’s working! And also to get Swensen’s Hot Fudge Banana with Rei-En. April goal: TRY VANILLA FROM 10 DIFFERENT STORES (Vanilla being my 2nd all-time favorite. Also my theory is that how Vanilla is a good measure of the ‘screams of a shop in general.)

    I’ve been stagnant on the iTunes front lately. But here are a few good ones. OH, AND CALL ME MAYBE OF COURSE. This cannot be missed it has been playing in my head for A WEEK. Also, what we were trying to emulate during Sleepover:

    I love the Ugly Casanovas, and this one borders on sublime, where there are layers. The part from 0:55 – 1:05 gives me braingasms every time.

    I’ve never heard of Milo Greene prior to this song, I’m guessing their fairly new. Everything they have are brilliant. This one’s the best. So far (I’m hoping for more).

    Okay maybe I’m slightly slow, but I’ve never wanted to listen to Black Sabbath because it’s satanic (maybe) and I’m a proper convent girl. But I came across this accidentally and couldn’t resist it.

    THIS. IS. UNDENIABLY. BEAUTIFUL.

    I had a sudden craving for Chick Lit, but couldn’t find any decent ones. There were some I remember reading awhile ago and would love to reread again.

    Drama! by Paul Ruditis. Despite the very flamboyant title it’s actually a sleek, believable novel that well, yes, is narrated by a homosexual. But he’s subtle and non-raging and struggling with it. It’s about friendship and a lot about show theater, which makes up a good part of why I liked it. But really it’s one of the few series type novels I actually persevered through and was UPSET when it ended. (I suck at series reads.)

    The Squad by Jennifer Barnes. I had this phase where I devoured spy chicklit. Especially if the protagonist was a computer whiz/hacker. By devoured I mean I read so many of them damn things running on the same thread that I can’t remember or even differentiate them. They’re just a matrix of prodigious children kidnapped or orphaned employed by some kind of loving family unit/organization where they had to flex their digibrains and it usually involves long-lost family members being the ultimate villain. The only one I can remember distinctively is The Squad. It has something to do with cheerleaders who are covert spies. I’m not kidding. But it’s still good. I was very upset when she wrote two and gave up on the series.

    The Disreputable History of Frankie Landau-Banks by E. Lockhart. E. Lockhart writes great stuff, but Disreputable History is the best yet. (The Boyfriend List was good as a single novel, but it went on for ages with increasingly horrifying and tragic storylines so I quit.) This one is smart, and surprisingly dark for chicklit. I loved the protagonist – she does that: make you love her without being able to help it. SHE IS A GENIUS (both E. Lockhart and Frankie.) I’ve made up my mind to borrow it in the near future. I remember it doesn’t have a perfect, happy ending which made me very pleased.

    Good bye!

    April 3, 2012

  • Almost the complete set

    Mug’s sleepover with nine of us, making it the nearest we’ve ever got to a complete set!

    Becky’s mom, as usual, fed us lot with amazing food. I can’t even begin to describe just how – it’s… we shut up for a good hour while we ate which is quite a feat for us. Pesto and salsa and anchovies-eggplant spread and baked garlic MUSSELS (THE MUSSELS!!!). And then baked cinnamon banana, Cat’s apple pie and Xin’s lemon curd for dessert with Island Creamery. Life, right then, felt complete. If there’s one thing we have in common unanimously as the Mugs, it’s food. And cam-whoring. AND THE FOOD, OH GOD THE FOOD.

    Being a strange lot, we migrated north to, wait for it… reenact the exercises we did for Transience. And then there was a brief period where we collapsed and died in a food/stupidity coma before going into what we’ve been waiting for THE ENTIRE WEEK (like the losers we are)…

    MUSICVIDEOX OF CALL ME MAYBE. This resulted in noise pollution and half an hour of us just standing in a row NODDING to the camera (No, seriously. We did that.) Eventually though we did manage to get a handful of clips where we essentially crazy danced and knocked each other aside to primp to Call Me Maybe.

    When I said we nodded to the camera for half an hour. I meant it. Nodding:

    20120401-164515.jpg

    20120401-164533.jpg

    That was the maximum amount of productivity we could achieve. Everyone basically flopped around after that outside at the porch couch (attempting to play Kung Fu Fighting! and failing). Eventually we tried very hard to be Sleepover-ish and engage each other in Intense Conversations Which Are Intense.

    That means we ate copious amounts of cookies while trying to outdo each other in snarkiness. Well no we DID achieve a fair amount of INTENSE CONVERSATIONS THAT ARE INTENSE all the way up till 6am in the morning (with some perishing along the way and the sole survivor being Beni). The rest of us slept for about an hour and woke up to do, again, what we do best.

    Eat. The cycle repeats itself: after breakfast we descended upon porch couch and just lepak-ed the entire afternoon away.

    I’m not sure how normal, sane teenagers find time to dress up and prepare fancy stuff for their house parties/sleepovers.

    It’s like we have some kind of deficiency that binds us helplessly to pajamas and nua-ing. The bursts of energy come about in the presence of FOOD and when we get excited over retarded single projects that involves being caught on film and appearing like hyperactive, slightly spastic children. Attempts at board/party games, standard Cool-Dancing or social interaction disintegrate and we spiral into very, very migraine inducing yelling and chaos and (the occasional horrific unexpected episode where we somehow manage to set off the burglar alarm).

    By all these, I mean I enjoyed myself very, very, very much and I can’t ask for better company.

    :-)

    April 1, 2012

  • Why, Hunger Games, why.

    Had dinner with the Ice-Cream Gang and it was lovely. We were basically a family unit headed by the sane parental figures and then the other slightly deranged baby-children who flounced around singing.

    Anyway. The Hunger Games hype. Why. Why. Can I go through any website without being assaulted by Hunger Games fandom Thing is, I’ve read the books. I DON’T LIKE IT. AT ALL. It’s not that I have a problem with people not sharing my opinion, but – yes actually I do. PEOPLE, WHY. WHAT. I DON’T GET IT. THE HUNGER GAMES, REALLY? I was fine with people liking it, but the whole excitement over it just as the movie’s coming out and everyone’s posting photos of themselves with the book as if they’ve read it and it’s getting.. pretty.. annoying. I predict that a few years down it’s gonna be another Twilight (because it’s Twilight standards. It is.) where people get over it’s fancy-shmancy glitz action and start to see it for what it really is: another Twilight.

    Why I Don’t Like The Hunger Games

    #1: Expectations.

    So maybe this isn’t much of the novel’s fault, but given it’s name and slight prior introduction, I was expecting something highly psychological. Not where people actually have to run around with arrows fighting for food, but something much more nuanced. Yes there can be bloodshed, action, and all. But The Hunger Games simplifies it down to gimmicks and hero-complexes, which makes up reasons #3 and 4.

    #2: You can find books of this theme of WAY higher caliber. KINDLY REDIRECT HYPE.

    a) Lord of the FLIES. Mind-blowing take on the psychological toll of CHILDREN fighting for survival. Completely realistic setting. AND THE ACTION? It COMES ALIVE. If you’ve read Hunger Games but not Lord of the Flies, PLEASE read Lord of the Flies and see if you can still stomach Hunger Games (haha. haha. stomach..)

    b) Nothomb’s Sulfuric Acid. Another brilliant one. Slightly more surreal and less survival-fight-ish. It’s set in an unknown time period where people are likewise part of a TV reality program in a concentration camp where they were constantly tortured and essentially stripped of human rights. Their battle was largely cognitive, with lengthy asides of human nature, but it’s still a lot better than the artificial rubbish they tried to throw at me in the Hunger Games.

    c) Battle Royale. Which the Hunger Games basically ripped off.

    #3: Crap characterization.

    I cannot emphasize this enough. This is Twilight, Maximum Ride, and all other teenage nonsense all over again. The characters all possess some sort of idealized hero-complex. Yes they all have flaws, but perfectly constructed flaws that are just there to facilitate the story. They aren’t human. Katniss: I LOVE MY SISTER SO MUCH. I NEED TO SACRIFICE FOR HER AND MY FAMILY. TAKE ME! I AM STRONG. I DON’T HAVE THE CHOICE TO DIE, ETC. Peeta: I LOVE KATNISS. THIS IS MY TRAIT. NO MATTER WHAT HAPPENS OR WHAT I SEEM TO BE DOING IT IS TO REAFFIRM MY LOVE FOR KATNISS. Hero-complex. And then there’s that elfish girl there to beef up Katniss’ hero even further. And the very painfully obvious group of antagonists.

    After reading Natsuo Kirino, I don’t believe in heros anymore. He writes about the human nature and it’s inherent failings so beautifully, so truthfully, that anything that even tries to discount this truthfulness makes me want to hurl. The Hunger Games simplifies human so much, that if it were a dimension in Flatland, it wouldn’t even be that one-dimensional line. It would be the singular point that looks exactly the same from all angles.

    #4: FANCY-SHMANCY GLITZY-GLAM NONSENSE.

    Seriously. The sympathetic and fashionable stylists, the plastic-looking flamboyant hosts, her chariot is ON FIRE!!! SO IS HER COSTUME!!! CROWDS! CHEERS! HUGE PLASMA SCREEN AND PODS AND AN ARENA AND NATURE WHERE YOU GET TO MOVE AROUND LIKE AN ATHLETE (a la Twilight)! I don’t know. Over-usage of visual gimmicks is sometimes forgivable, but when it’s also CLICHED? No. The whole impressive scenery thing works only n Harry Potter where everything is TOO ORIGINAL TO DISLIKE. Points for creativity.

    Everything on The Hunger Games though, are vaguely things we’ve picked up from the very basic fancy stage tricks we’ve seen all our lives. It just. Didn’t impress. I mean at all. I might have cringed while reading because it tried so hard to be fancy and grand but just came off common and base. It’s as if someone wrote it knowing it’ll make for a great movie (it probably does make an appropriate action blockbuster)(it kind of IS one now) and I hate it when people do that. We have an imagination. Stop writing for it to be filmed.

    #5: Seriously, the romance?

    Peeta. The fat baker. NO. Much as I didn’t like the novel, it had one redeeming quality. GALE. Who is basically the only tolerable character in the book. But no. There had to be a completely idealized, thoroughly maudlin, very TRAGIC and NOBLE love story which is ironically eagerly craved by the dumb Capitol which I find absolutely HILARIOUS given the whole PeeNiss fandom in reality. SATIRE, PEOPLE. DO YOU NOT SEE IT? Probably not, I doubt it’s even intended. It is like Coffeeshop Romance but ten times worst because Peeta is so ridiculously and inexplicably willing to sacrifice himself for Katniss. He is nothing as a character but a romantic hero. The bile rises…

    #6: The faux-political theme.

    WHY DO THEY EVEN TRY. It’s like they try to mash up all the possible popular themes to churn out a best-seller. Sometimes you just. don’t. attempt too many themes when you can’t even handle basic characterization properly. The faux-politics is laughable. The faceless Capitol, the brief introduction of how exactly Panem landed in that state (which I found unbelievable and thus un-frightening), the post-apocalyptic mess. The only thing I semi-liked about it is how every district had it’s own signature, and in varying degrees of wealthiness. But then again it’s a cheap, clever trick that any dystopian author with a brainwave could achieve.

    Brave New World, 1984 and Iron Heel gave me a pervasively insidious feeling when I read it – speculative-political fiction should do that; make you somehow fear that it is possible no matter how absurd the setting. I don’t see Panem coming true any time. Logistically and logically, it doesn’t work. Once again, it doesn’t hit home.

    #7: The plot itself…

    Just gave me a million opportunities to go Please lah, you really want me to see this as plausible. It being a post-apocalyptic, fantasy type novel, of course you can’t expect it to be grounded in current day reality. What I mean is the way in which people respond to things, how characters carry out things, how things they do work out. It’s all just too… pretty. Yes the death and the bloodshed, but everything’s so calculated, predictable, meant to be, just so the story will the take the shape readers would like. Just the right amount of tears and adrenaline and happiness and everything.

    I guess if you’re looking for feel-good and predictable, The Hunger Games would be an appropriate choice. If you’ve read too much ugly and truth to be drawn into another blockbuster novel, skip it.

    March 31, 2012

  • gelato.

    Yeap, I’m off Facebook. This time there aren’t much fancy reasons. Basically, Timeline’s lack of privacy controls kind of creeps me out. It’s not that I particularly mind having information from years ago so easily accessed, it’s more of how I don’t see why they don’t give better instructions on how to make it Not like that. Lack of choice, essentially, made me quit.

    Anyway, I’ve pseudo-started work and I like it already. It’s hard not to be happy when you’re in a theme park and everyone’s (including the staff) main objective is to have fun. I’m glad I chose Resort’s World over a $1,500 office job I’d probably have been miserable in.

    I’m also incredibly tired, constipated, and messing up French tips. This is a very pointless, update-y type post, because there’s nowhere else I can say things on the net besides this space. It feels kinda nice. Like I can finally streamline my thoughts.

    March 29, 2012

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