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  • More of Hougang, before I forget

    The old man with the hats. He is most often sitting at Hougang bus interchange, but could be spotted anywhere else in the neighbourhood. Coffeeshops, on the streets. Short, squat, with a blank expression. He fashions fantastical hats you wouldn’t dream of. His signature: a skullcap made up flattened Coke cans, and perched atop is a rubber ducky. Other favorites are his festive-themed Fortune God hat, with Cai Shen Ye proudly unfurling couplet scrolls from the crown.

    The fights. Between couples, between families. Loud and public. One family, in particular, in the block across from us. Between window grilles I poked my nose out, trying to put a visual to that child’s shrieks which are terrifying, urgent, matched only by the desperate scoldings of its parent. I’ve never seen them, but heard enough for a lifetime. From the adjacent block, a man holding a chopper chases a woman across the parking lot.

    And, in the shops surrounding this parking lot, back when the crowd were boxed in by uncleared grassy fields, young men traded hands furtively, too obvious even to my 9-year-old eyes.

    Across the street from this parking lot, a little park that hosted getai for many years every 7th month of the lunar calendar, before getai was no longer in demand. Sin Heng Kee porridge, those massive pots where they stirred the most delicious congee you’d have had. That one staff lady who was teased when I was there once, for I was, inexplicably, her oǔ xiàng (idol)? To this day I do not understand what transpired.

    Hougang One. Sakae Sushi, with its conveyer belt, a happy indulgence a few times a week. Peak luxury to me, at the time. The billiards shop right across to it, that one day many years later I would play at, just once. And just in the hawker centre a few minutes walk away, the famous A Star Western, with its massive chops and fish and chips with decadent tar tar sauce.

    In another part of Hougang, a landed home where the Mugger’s Club was formed, as we studied together for ‘O’ levels. Day in and out, together in that living room, eating huge pots of pasta. Not remembering any studying done, only the games and silliness.

    Again, another part of Hougang less familiar to me, but still felt like home anyway, where I visited twice a week throughout my University days to give tuition to C. She had the same name as my best friend, and I liked her too, half-German, half-Indian, earnest and sweet. She had big dreams and ambitions, and wanted to be a nice girl. Her father was a horror show, and her mother delayed payment to me for months after we completed her tuition – sending me apologetic and evasive messages riddled with unnecessary umlauts. Once, she made spätzle which tasted like puke.

    But let’s end on a happy note.

    Ciyuan Community Club, where Popo and I went to sing karaoke, just us. Where we ate at the open-spaced hawker centre with those giant fans overhead, long-limbed and slumberous. Where Kym Ng happened to be filming there, for a food review, and – sitting just a few tables away – my ever-free-spirited Popo said aloud “Oh that’s Kym Ng! Used to be famous, now not anymore.”

    June 6, 2025

  • Theatre Review: VAMPYR by Manuela Infante

    Photo Credits: SIFA

    Kindly sponsored by my dear friend Xin, we watched the last and matinee show of VAMPYR at the Drama Centre Theatre.

    Beginning with a lot of ha-ha-has and hoo-hoos, jangly bones, halloween-esque faces pulled, our vampiric duo made their entrance. It was a long entrance. For the first what felt like minutes, I was tickled and mildly impressed by their physicality, quality of voice.

    After awhile I felt bad that this sequence was not garnering the laughter it obviously was soliciting. Was I amused? Yes! Was I guilty enough to fake laugh a little? I did.

    VAMPYR was entertaining enough.

    Some sequences, imageries, and moments held their own. And of these, a few were held too long, and broke the spell.

    While I enjoy a good multi-use metaphor, the somewhat ham-fisted and shallow usage of its titular vampire left me wondering. While I get that the night shift workers’ nocturnal and poor working environment made them as good as the undead, the blood-sucking ways of corporations made them vampires, and literal vampiric bats were impacted by the greenwashing… what was the ultimate intention of the running metaphor?

    What was similar about them, or are we highlighting a contrast? In any case, despite the continuous delight in hammering in this metaphor, it seemed to have no further meaning besides being a nifty gimmick.

    Things I would have liked to see:

    More showing, less telling (most of the revelations came through exposition, which was a waste). More leveraging of the actors extraordinary talent, with their bodies, their voices, and chemistry.

    More precision and conciseness. They could have shaved a good 20 min off and made it extra good.

    More consistency. The nature of these vampiric beings switch in and out. I do not mean between the three vampiric metaphors, but even within each, there was too great a variation in movement, speech, even costume, for me to grasp a ready line that weaves the bigger picture together.

    A sequence of things happening, and a story, somewhat. I’m glad to have watched it anyway, if not purely for a good time and entertainment. It could, and had very real potential to, have had more depth to it.

    Also, for a play about greenwashing, they sure use a lot of plastic! (Joke. I’m sure they recycle. But it was a lot.)

    June 4, 2025

  • May Reads: The Covenant of Water by Abraham Verghese

    This review will be totally biased given my penchant for:

    • Multigenerational stories (Min Jin Lee’s Pachinko, Yaa Gyasi’s Homegoing, Gabriel Garcia Márquez’s One Hundred Years of Solitude)
    • Female protagonist / point of view
    • Anything set in India and/or written by an Indian author

    Set in the state of Kerala, along the Malabar coast, this is a watery, evocative novel that takes its time to meander through the river of life. It begins as a bildungsroman of Big Ammachi (as a young bride), branching into multiple characters, interconnected by relationships, maladies, and themes of love, loss, grief, redemption — you know, the usual.

    All this is against a backdrop of the Saint Thomas Christian community in Kerala, and historical events spanning the 20th century: British colonialisation and eventual independence, rise of Naxalism, and the shifts – or lack of – in the caste system.

    I recommend this for an immersive read, if you want to be convincingly pulled into a tale of heartbreak and hope, of human strength and weaknesses. And especially if you enjoy novels set vividly in a particular place, time, and culture.

    Rating — 4/5

    June 1, 2025

  • May Reads: Solaris, The Lathe of Heaven

    To read Solaris (Stanisław Lem) and The Lathe of Heaven (Ursula K. Le Guin) one after another is akin to having a chain of fever dreams. Both center around bringing creation through imagination, hallucination and dreams; both feature a psychlogiest, and an alien species. Yet, despite their superficial similarities, the two slim novels could not be more different.

    Solaris — timeless, sterile, didactic — is a philosophical exposition on belief, religion, and unknowability of an alien being. The Lathe of Heaven — decidedly vintage, with all the fixings of a 70s sci-fi — explores the ethics of human influence and the dangers of playing God.

    I first read Solaris, told from the perspective of a psychologist in space, Kelvin, who finds himself unable (or unwilling) to separate reality from hallucination. The narrative cuts in and out from the current setting to pedantic excerpts from history and research.

    I say pedantic not negatively: up in space, amidst the eerie and unfamiliar, you’re submerged in the surreal, and to intersperse this suffocating surrealism with clinical diatribes was a clever move by Lem. The sharp contrast brings you away from the plot, which is a mere vehicle to greater questions the author is asking:

    How do we reckon with and pretend to understand a foreign entity – whose motivations, composition and, in fact, fundamental cellular structure so greatly differ from ours? How does our understanding of god, belief, a higher being, reinforce the need to understand and interact with the utter unknown?

    Lem has publicly denounced the overwrought film adaptation by Tarkovsky (Solaris, 1972), and along this thread, I genuinely believe he would have turned a few in his grave when Interstellar hit the screens.

    But enough of Solaris. We now come to The Lathe of Heaven.

    “Everything dreams. The play of form, of being, is the dreaming of substance. Rocks have their dreams, and the earth changes….”

    TLoH was a delightful read. Here, plot and idealogy play equal role in moving the narrative, and Le Guin took her liberties and had fun with it. (If you can call multiple ways of envisioning an apocalypse / dystopia fun.) Characters were meticulously and colorfully built.

    In both novels, you can truly only name three signficant characters.

    Yet unlike the desolation and isolation pervading Solaris, you find breaths of hope and warmth in TLoH. That is not to say you will not be broken by reminders that we are, as human, essentially hapless – despite and because of the influence we can exert on reality.

    I love Le Guin’s works and this one did not disappoint. It could very well vie for my top spot from her repertoire (currently, The Dispossessed).

    I enjoyed the reading of TLoH, but have to say that because Solaris was so minimalist and atmospheric, it stuck in my mind for much longer. While I did not set out to read these two in succession, I’m glad I did and highly recommend both novels, and reading them together.

    Solaris — 4.5/5
    The Lathe of Heaven — 4.5/5

    June 1, 2025

  • 焦

    The kind of day that smells like burnt toast, crisp to its core. Even the frenzied, strangled cries of our city rooster are quelled.

    One doesn’t have to look out to know the air has taken on a gauzy quality, vibrating with an excess of energy.

    I feel it, already, on my cheek. The one facing a window in the spot I have taken to meditate. A welcome warmth all too quickly (in seconds) deepens into a sear, and even with eyes closed, pricks of sunlight draw patterns behind my lids.

    How far this light has travelled. How dwarfed I am by the distance and by the immensity of conceivable space. From the sun to here, and beyond –

    I am not supposed to think about that though, not yet. Now I’m supposed to think about ‘grounding’ my infinitesimally small body and its relation to this infinitesimally small space of my home I spend most of my days.

    The heat makes this difficult, makes me impatient, an all too familiar restlessness from being cooked soles up. Ants on a frying pan, 烧焦、焦急、焦虑。

    And this restless meditation is punctuated by the creaking of things expanding. Rusty old bones popping out of their joints, protesting the heat, but still standing. How buildings are built.

    May 30, 2025

  • Just a leaf

    I am terrible at meditation.

    How hard can it be to quiet one’s thoughts in the absence of external stimuli? The answer seems to be: incredibly so. Concerningly so.

    This has always been the case, the running brain, the ever-buzzing. But since I’ve been plagued by a host of health issues (or, that they came into conscious focus), it has been out of control.

    I thought I was good and had learnt all the lessons I needed to learn, but that is so far from the truth. I’m only beginning, or have not even begun in earnest.

    You can be right at the peak of a mountain, but find yourself only a quivering leaf, swept away off course by the whims of just the tiniest puff of wind. Not by any means a firmly planted boulder or determined goat.

    Anyway, I will try this meditation business again tomorrow.

    I never knew how dependent my mind is on my body for intense physical activity, used as a crutch and a distraction. I need to go out and smell some flowers, and be okay with just that.

    Is this how it feels like to be depressed? This… moroseness. The sick, squirming feeling in the pit of one’s core, of not being the right person in the right place with the right life; of wanting to escape this very moment, your body, self, and place, and of feeling homesick for something when you’re already home.

    May 29, 2025

  • original thought

    Two things I miss most about the old internet: personal blogs and forums.

    What happened to that? People writing. Organically. For no purpose than to share their lives and thoughts and interests.

    With no concern for commercial gain, nor image and brand building. When did we start commodifying our selves and our thoughts, and will we ever stop?

    Has that time really passed us for ever?

    Sometimes I feel like a lone voice in a sea of void, holding on to the last vestiges of raw, unfiltered writers on the internet.

    Finding an old, abandoned blog of a peer is like visiting a graveyard. I mourn its end and that eternal effigy and death date stoically carved into its last post. The death often – no, always – without warning.

    Forums had more insiduous an evolution. At some point we fell off the cliff, a slippery silence. You no longer have that one real interaction that doesn’t feel like an echo from a faceless throng or mass of bots.

    I struggle to encapsulate this difference.

    Forums didn’t use to be a place to say your say, at least not only that.

    They were a place for genuine connection. Even with complete anonymity, you feel known by a human. Gaiaonline. Taverns. Chatterboxes. Just a stream of nothing important, but even pointless response then felt that much more … personal, than an entire Reddit thread.

    Even KidsCentral.sg forums. I knew and could conceive of the person with their keyboard, their earnestness of thought; their being in context of time, space, and life.

    Now, I see only an array of funhouse mirrors, distorted variations of the same me, the same voice, stretched, squashed, or made silly, cleverer, but an identical thing repeated ad nauseum.

    May 26, 2025

  • dreams, dreams

    The day before, a slew of dreams.

    One of them with C, again. This time we had the same diagnosis. I thought she would go up with me for the test I so dreaded. “Why should I? I don’t need to anyway.” I thought about it. She’s right, she’d never need to.

    Another one of me rushing into the lift for my appointment. But just as the door closed I noticed a baby right outside. Or I had noticed it before but cast my eyes away from it, concerned with being late.

    The baby was striking blonde with blue eyes. Next to him, a cat and a dog of the same coloring. Just as the door closed in, I dashed out.

    Scooped up the baby, he felt solid, heavy. Ran back into the lift, but the animals followed. The cat, especially, was hostile. It hissed at us, bearing white fangs framed by fair whiskers. Yet I was unafraid. I counted the ascend of the lift, waiting, waiting…

    When the doors once again slid open, I pushed them out. With all my weight kept them out until the doors were shut to them again.

    Then I had to rush, rush to the appointment and make sure the baby remains safe…

    May 22, 2025

  • the body as ____.

    The body as a machine. And what if this machine cannot do what it has been doing — as natural as breathing, and just as essential?

    Since I found out the news, I have had to let go off a series of activities that are part of my daily life. HIIT, running, yoga, pilates, strength. Too much impact. Too much jumping. Too much twisting. Too much core. Too much weight.

    I could not help thinking my body has failed me, against my best efforts. How wrong was I to think that. Against all my working it, my body has protected me. Now it is time for me to be kind to it, and allow it the space to heal.

    For days I felt myself a caged lion. Pacing, restless, erratic energy bouncing off walls. Day one of meditation failed miserably. My mind was in high frequency, as it often is, leaping from one node to another, a scatter and a scribble.

    The only safe, kind way I could move my body, was to confront an old friend / fear of mine: swimming.

    Some background on my fear of water, a near drowning exactly 10 years ago.

    Since then, I have been swimming, intermittently. Baby swims. Recreational swims. Not the many laps, few times a week, solitary swims I used to do — until that happened.

    Even today, I feel that inky fear pool in my tummy and fill my chest again, compelling me to find solid ground with foot. I no longer swam with my head underwater, something I loved to do before. I said swam, because I did it, for the first time (again), today.

    After a few laps of shallow-breathed gulping for air, stemming from confused rhythms, something just –

    clicked. I got it, altogether, all at once. How to dip my head and breathe out, watch the stream of bubbles float above me. How to push the water like an arrow just as I kick right beneath the surface. How to draw my arms in, like reading a book, pulling my shoulders back, the certainty of air, and all over again, a glide, a cadence, a fluid movement.

    I remember now how peaceful it was to swim. To be underwater and watch this quiet belly of the world, no sound, all fuzzy, where you have left thought just above the surface, and here where light distorts in blue, they do not matter.

    I remember now the weightlessness, the feeling of being buoyed as in amniota. Leaving the water, heaving on the heavy clock of life and all its mechanical complexities was so much to bear.

    May 20, 2025

  • Hougang, before I forget

    The mall was once green. Then orange. Today it is a clinical white rimmed with red. But through the years, it has kept that conical funnel panelled by dark tinted glass as its keystone.

    Punggol park: fishing in the pond with my dad, flying kites on weekends, that one playground with a slide that is made up of spinning cylinders that roll you down. Years later, learning how to cycle there with dad, practicing soccer with dad. Practicing skating myself.

    That one cosy little restaurant with al fresco looking out into the pond we fished in, which I loved. Every time we visited – which was not very often – was a special treat. That one time they mistakenly served my family an extra dish.

    The one flat we lived in with the bar with inverted wine glasses hanging and an optical illusion painting (I never saw it). With a central courtyard boxed in by identical buildings. Thirteen floors seeming impossibly high up, that I felt like I was dreaming each time I looked up to find our window from the ground.

    Those evening taekwondo lessons I watched from my thirteenth floor window. That one coffeeshop that made do on most days.

    When my parents’ friends sleptover with their daughter. When us girls would race to the lift lobby to be the first to hit the button.

    My Popo’s place, where I lived for many years – more years than anywhere else. Four floor ups with no lift for most of my childhood.

    The stationary shop, right in front of where the stairs ended, that sold toys and trinkets and an array of stationary I coveted. The friendly uncle with salt and pepper hair and square glasses and his wife with her hair always in a bun, with severe features that belied her own gentleness.

    Taking things on credit, for where would we go? I had to pass them every time I left the apartment.

    Many years later, Uncle had a stroke. That was after their shop space was divided into half, the other leased to a barber. (Today, it is a mala shop). I saw him again, after his retirement, at Punggol park playing a quiet game of croquet. He smiled crookedly back as I ran past and waved.

    Punggol Park. Runing there as an alternative to Hougang > Kovan > Serangoon. Sometimes I ran with Celine. Sometimes we ran at Hougang Stadium. Most times I ran alone. But when we ran together, that one time we passed a heavily breathless fellow runner, and I made a joke: “Luke, I am your father”. Silly things.

    Celine and I, every morning for a few years, at the kerb of my grandma’s neighbourhood, waiting for Shermi and her mom in their minivan. Our ride to school. Many mornings, irritable, Celine annoying me with her slowness. Shermi had the idea to bring beehoon to school, from that coffeeshop where we waited by the kerb. It became a thing at midmorning break: beehoon was banned.

    Still Celine and I, some years later. That very spot we always stood at the crossroads between her house and mine. Always those long, meandering conversations, squeezing the most of our last few moments.

    The MRT. Meeting there to travel together. Celine always the later one. The time Celine brought ice cream in with her and was reprimanded by a staff. The time she whipped out a towel from her bag to dry her still soaking, right out of shower hair once we plopped down on the train. The one time she spilt an entire cup of iced milk tea and it ran the course of many carriages.

    The time we had a massive argument because the escalators on either side of the platform were going up and down in a different direction than usual (but someone insisted it was not different from usual). Asking the station masters for clarity just because we could not let go of our stance (They switched the up and down direction depending on the time of day). I can’t remember who was right. It doesn’t matter anymore.

    Eating banmian at Hougang Mall’s top floor foodcourt with Celine. Having sambal grilled fish pasta with my dad at the same spot. And many years before, eating dinner after school with mom, while Holland V played an iconic scene on the mounted public TV, and my laugh echoed in the once spacious layout.

    Of these many friendships and conversations:

    Taking bus 74 or 147 from CHIJ OLN to my grandma’s home after school, and many times with my mushroom-haired friend, who alighted at the same stop. Meandering through the HDBs with her, although it was the complete opposite of my way home. Just to talk, just to laugh, and play.

    Play. The many times we stayed on campus after school just to do that. The old campus – now a nun’s quarters – for 2 years, where we played Spider with Madeline’s club, or touch the pole with C’s club. Where I arrived at school early and played with ants. Where they had up posters on kidney failure symptoms that terrified me.

    The new campus. When we acted out every scene in Harry Potter. Laughing at Celine during her Brownie duties. The campus with that spiraling stairwell that started with ramps. Planting our own rainbow corn in styrofoam boxes. The mid-building rooftop with those swinging chairs.

    When I would spend endless, endless hours in the school library, finishing the entire fiction section by my graduation, my nose in a book the entire walk from library to bus to home.

    Sometimes it rained, and before a sheltered path was built from bus stop to home, I had to call my Popo from a payphone in school. She would make her way with an umbrella, waiting for me at the bus stop, we would walk home together.

    Years back when I was very young, and was living apart from my Popo, I would sleepover every Friday and through the weekend. On Fridays, traipsing down after dinner to buy candied malt that stuck to teeth, and a bag of Ruffles Sour Cream and Onion (or Cheddar). Friday nights staying up late, lying on the couch and watching anything I wanted with Popo — Wizard of Oz, Huan Zhu Gege, and the many comedic dramas of Zhang Weijian.

    Moving to a new neighbourhood. The soccer field, the basketball court. The void deck, where, when my friends came over, we made and played with water balloons. When we came back up and thought Jiayu was dead (she was not), because the gas stove was on, and she was motionless.

    The many times Kejun came to sleepover. The times Celine and Chloe came, making them trashy lunches of ramen and cheese. Most days being left alone at home to my own devices, and watching too many horror movies than was appropriate for my age.

    And so many years later, bringing K there and being stopped by our MP for a welfare survey.

    Tuition. Mr Caterpillar Eyes. Pranking the tutor with well-placed glue on my homework. Science, primary school. Somewhere in Hougang Central. I never listened, played truant at times. Meeting Chevon to buy meat pies and tuna puffs from the coffee shop and lounging around the playground. The one across the street from Punggol park, with the coffee shop that sells fried chicken and fries.

    This same playground, I visited many other times with Kelicia. Playing silly games. When we graduated to University, studying in the public areas around the void decks. Many years later, I came back to the empty space to practice skating.

    Another tuition, Mr Maran. This time with Celine and Beni. JC. “Put the fella inside the S.”

    Swimming miles and miles in the public pool. Right next to it, Hougang Stadium. Running alone. Those big stadium lights that are too bright in the evenings. During election periods, the stadium being charged with so much fervour that I felt that electric buzz just walking past outside.

    Hiding out in the childhood home I now return to as an adult. Lockdown in perfect safety. My quiet, breezy, cosy little nook in Hougang as the pandemic raged on around it. Glancing out to the river. Skating around. Runs from the river path all the way to Waterway.

    Now, Hougang through the eyes of another, and of an outsider. The walls are whiter. They have cleared the clutter that once caused a fire that licked its way up the fourth floor; a charcoal black that stained for years. Popo came to ours in the middle of the night when it happened. Now, there is a lift. My grandma, 92, still climbs the stairs sometimes.

    May 19, 2025

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