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  • Skull

    Seismic or vibrational communication is an ancient sensory modality of conveying information through vibrations. Earth, a plant stem or leaf, the surface of a body of water, a spider’s web, a honeycomb, or any of the myriad types may be vibrational substrates.


    That day, it seemed to him, was the first that mattered. Every memory and thought after bright and real, clarified through a looking glass. Everything before a dream with edges runny like broken water.

    ❖

    Soft rain pelts on his nose and eyelashes, beading on his blue sweater where they land.

    To his north east, neat rows of pine trees raise their branches coquettishly, needles shaking off the last of their white winter cap. As the row curls westward, it begins to lose its form. Pelts of moss sidle up the base of trunks like quaint socks. A little ahead of him — pressing its slobbery nose over the grassy mounds — trundles a dusky bronze Labrador. At times, it cavorts over with surprising agility for its size and age, winding between his legs, heavy tail whipping carelessly at his thighs.

    For a reason that has yet to coalesce in his consciousness, he finds himself walking to where the trees sit haphazardly, unkempt.

    ❖

    His scale is steady, even as one step rises to ragged rocks while the next sinks into a cluster of prickly ferns. He feels curiously safe, cradled by the bubbling brook, the occasional whistle of a lone bird that does not tire of its tune. When twigs give way beneath his boot with a wet crackle, he finds footing reliably on the padded marsh beneath.

    He is not sure how long it has been, only that the sun filtering through the pinewoods above have sharpened into columns and are bleeding into orange. The trees rise higher here, while the sun makes its way down. The brook — he concludes from the swelling, constant burbling around him — is now a stream. It muffles the huff of his breaths, but each inhalation now brings greater flavor: the sweetness of pine, mellowed by the earthiness of mushrooms before dissipating with the frostiness of winter’s passing.

    He notices first the shaft of golden light pouring from its mouth (or a gaping hole that could have been one) spilling into a pool of amber, illuminating the square of forest floor before it. The surrounding browns and greens dulled, it seems to him, in an instant. The stream drums on, almost eagerly.

    ❖

    The skull sits on a fallen bough, horizontal at knee-height, like a child’s makeshift swing. Near the bough’s midpoint protrudes a broken branch threading through an oval crevice adjacent to its eye socket, cozily fitted like a natural horn. The rest of it is dominated by that light-yielding cavity, framing it a fine jaw bone lined fastidiously with blunted teeth. From an angle, he can almost imagine the skull to be held in place with its bite on the mottled bough.

    In his trance-like examination, he has come eye-to-eye with it. The dual chambers glow gold, amber, white — lit within from the sunlight’s shifting angles on its westward descent. Now, he cups the jaw, tender as he would a lover, and unsheathes it from the horn. Gingerly, he tests its mass and matter. It dawns on him that he cannot know any more about the skull: he already knows it, and is merely re-acquainting with its shape and form; with its startling lightness and powdery touch.

    Without much forethought he brings his lips close to the cavity, pursing them like he would a mindless whistle; a casual kiss. He blew soundlessly into the skull.

    ❖❖❖

    Years later (and yet more years later), in places far from his childhood, the forest, the Labrador, and his self that day, he would find the skull again, many times and in many ways.

    In the passing of a subway train, the all-encompassing rumbling, the flit of fluorescent lights, shadow, lights. The skull grinning back at him from his blinkering reflection before rushing away with the last carriage.

    Ducking under the shadow of a building to shake musty rain off his coat, glancing skyward at the mural-sized glass glittering proudly to no one. The glint of the skull’s wink with hollow eyes set aflame.

    At the carefully clipped green mats of a sprawling lawn, walking a friend’s dog, the skull dancing in a mist of sprinklers. The back alley of a bar, in the steam hissing from colourless bricks where he pressed his knuckles, heaving emptiness.

    In a bed that had lost all spring. A sleeping female shape next to him under custard yellow sheets, the cold plastic of a remote in his hand, staring at the TV until the static burned into a floating afterimage of the skull.

    Each time it calls for him. He knows it from the hum at the base of his neck and the back of his throat. A reminder, a trail, a knowledge gifted and slipped away.

    ❖❖❖

    He blows into the skull. It may have lasted seconds, minutes, as long as his breath can hold. But there is no strain, and there is no sound. Only an unearthly frequency that reverberates, at once hollowing out his bones and filling him brimful with an ancient song. The forest is listening, rapturous. The Labrador stands at attention, majestic in its serious, knowing expression. Blades of grass twitch in remembrance. Roots tunnelling closer to core than land yawn beneath his feet. Mushrooms, shied under their thick brown caps, stir and bare their intricate patterns to surface.

    When it ends, he is not sure if it was him or the skull who willed it to.

    As if the forest has been holding its breath, a deep, collective sigh released the flow and flurry again.

    He knows the forest murmured a secret to him, and he is to understand and know. In the days that follow, much more became clear. But the one he was to know remains obscured. All he can be sure of is that at the moment of the forest’s sigh, he heard softly but surely the give of water: a small creature diving cleanly into the stream.

    Not a month later, he packs a compact suitcase and starts a trek of cities with fluorescent lights; clipped lawns; glittering buildings; warm figures he seem to always find but never keep.

    ❖❖❖

    In one of the cities where his suitcase landed, foreign ferns are streaked with maroon, with leaves wide and wet as newborns. In the summer, when the heat is feverish, he cools off by the pool with a paperback and his sandals kicked off. In the languid air hung a cloying scent of sunblock and shrieks of children romping dangerously near the pool’s edge, but he does not mind. Resting his eyes, he watches them tumble and fight like puppies.

    It is while resting that the glimmering, chlorine blue of the pool’s surface began to eddy again to that familiar shape, the drumming and hum catching in his core. This time though, he is jolted by another long-known sound: body breaking water.

    All he can see of her from the surface is a crown of raven like seaweed undulating in the water. Around her, the skull ripples and dissolves, its grin wider than ever. Now, the body turns towards him, rises from the water. On her face that biding, knowing look the skull, the Labrador, the whistling bird and coy mushrooms had held.

    And then, as if two looking glasses rolling at random now snap to perfect alignment, he saw with clarity the knowledge the forest had gifted: “You’re home.”

    ❖

    Q

    April 19, 2021

  • february – november

    it was february. you broke into my life with little fanfare. blonde with a killer smile and eyes a thousand shades in different lights. you with your catholic sensibilities and love for art. you with your Chopin at night and savant-like Jeopardy knowledge.

    so many things in between, and here we are. today. november.

    your arms around me the first of my waking consciousness, “i like you so much” the first words i hear in the morning.

    against my cautiousness, despite my guardedness, you’ve proven to be nothing but worthy of my trust.

    let’s put it this way: maybe i can never get over the possibility of someone simply walking out of my life. or losing all their affection in a day. but there are those who are worth taking the risk for, maybe even worth the eventual heartbreak. i think what we have is worth it.

    who else will slow dance with me in the rain? or pick me up and spin me around with so much ease and mirth? or rap with me, air guitar an entire sequence of fleetwood mac, dance to baby metal? or pretend three-legged race, sketch with me, okay all my artistic whimsies?

    how can i replicate the feeling of you making a string of random noises, and me knowing exactly what you meant?

    i like this rhythm. i like the cadence of our conversations and the way our hugs fit just right.

    i like who i am with you, and who you believe i can be.


    my relationship with the weather as an allegory of character growth:

    years ago, i hated the rain. hated it with equal parts fear and condescension. in another timeline, a comforting hand made my rain-induced moodiness better. i thought this must be what a partner should do: to soothe and to provide escape.

    with you, i forget that this is the rain i hate. to you it was another day. to me it was that scene in a bildungsroman novel one would break down as a literary character development.

    we ran in the rain, you opening the trail, portending splash spots. we kissed in the rain, our lips slick with wetness but finding each other with quick familiarity. we survived the rain: a grand adventure than lost hours and foiled plans.

    a question. do people typically like what someone is in relation to them, or who they are independently?

    i find myself gravitating towards the latter, reading you as a protagonist, a first-person narrator. and i love the world through your eyes. it is this much more vivid, this much brighter. this much more intriguing. worth going through, because every obstacle is a welcome challenge, a means to be better.

    this book is one i never want to stop reading.

    November 19, 2020

  • dance again

    even when you lose faith in words, new things will come that ask to be written.

     

     

    August 15, 2020

  • Vapor

    my own steps terrify me.
    the weight of it, the shock of sound
    that tells me i am material,
    of flesh
    and skin that warms to touch.

    at dawn i am silent:
    a ghost space filtered through misted mirrors;
    a slow distillation of light.

    only then am i my own.
    your hands close over
    vapor, violets un-blooming
    where there is no earth.

    then a blush of dew on knuckles.
    a certain gravity. willed into being
    by another. i take shape
    and lose my self.

    Q

    July 17, 2020

  • Psyche

    and in the dark mouth of the mountain she stands

    trembling, freed.

    her parents’ slow-spinning cries a distant orbit.

    yes.

    better this than a dusty stillness; those unblinking Plutonian eyes.

    better this: to be wilfully plucked and devoured whole,

    each night touched by the dark; a shadow face,

    every morning a mortal ache, stirring with want.

    Q

    May 14, 2020

  • Joker (2019): A Review

    And from the ashes I rise … a pheonix.

    Let’s get it out of the way first. I adored Joker. Each moment had me hooked, some (many) sucker punched me right in the guts.

    A great movie has a certain stickiness to it – otherwise known as haunting. And haunt me it did, in the best way possible. The night and day after, the best of scenes replayed in my head, and I was obsessed with the signs and symbols that I’d missed while savouring the film as it played out.

    The scores, with a special mention to Defeated Clown and Bathroom Dance

    Joker wastes no time establishing how life football-tackles Arthur hard, spits on it, and sinks a boot heel into his ego for good measure. This also means the accompanying score that comes at Arthur’s lowest, Defeated Clown, is introduced in the first 10 minutes of the film.

    And man does it set the tone for the movie right.

    Music is the unseen dialogue of every film. It tells a story, shapes your perception, influences your emotion at each frame. But we seldom notice them, letting their effect take a direct hit to the primordial brain.

    Hildur Guðnadóttir’s scores is a dialogue so beautifully written that I cannot overlook its poetics.

    What is it that makes music sad? Is it that it’s slow? Each notes drawn out in a tragic cry? Does sadness have a quality, pitch and tone? Whatever it is, Guðnadóttir nails it.

    I put Defeated Clown on double speed and it was still sad as hell. Two things that made this particular score outstanding:

    First, that constant drum beat in the background as a perfect allegory to a slow march to hell. His life is not just tragic, but doomed to a certain fate, a spiral he is graduating towards. You know it’s going to be disastrous, and there is no way to stop it. 

    Second, the way the notes are played in isolated groups. Each an island, strung to form a broken chain where silence speaks just as loud as sound.

    A shout out also to Bathroom Dance, which has the same shade of tragic as Defeated Clown, but also an odd lightness to it. Like a piece of art that is meant to be sad, but also recognised to be beautiful in its sadness. Perhaps appropriately so, as it comes in the moment Arthur soothes himself through dance, at the precipice of Arthur to Joker, the transformation at once grotesque and artistic.

    Shaky camera: two scenes for comparison

    Todd Phillips said in this breakdown video that the shaky cam at some scenes was intentional, giving the scenes an authentic, homemade feel. The example he cited was of this iconic frame –

    Image result for joker 2019

    Arthur forcing a smile on himself. The other, also iconic (how many iconic scenes does this movie have anyway???), is that of Arthur climbing into the fridge.

    This brings us to the only complaint* I have throughout the 2 and a half hours film. In this scene, an obviously shaky cam shows Arthur climbing into the fridge. The door closes, and the camera walks further into the scene, implying that this camera has an eye and a life.

    *Not exactly, but maybe the only moment that I questioned

    I wasn’t keen on this implication, because part of Arthur’s tragedy is that he isn’t seen. He is invisible, not given the attention he so craved.

    It could be that I’ve been watching The Office so much as of late, and it reminded me of breaking that fourth wall, of a crew who found even the every day hijinks in a paper company interesting enough to follow with a camera. In Joker, it was also vaguely horror-movie-esque, where the camera takes the angle of a stalker or spooky creature following the protagonist.

    And so this scene was pretty jarring for me. It would have worked better if a neutral camera panned out of the scene. A simple, straightforward “yep he’s alone in the fridge and no one gives a shit” moment. Or a still, even. Nothing happens, not an atom in the world reacts even as Arthur Fleck is so deeply disturbed he had to enclose himself in subzero to hold it together.

    Now to what made the movie: Joaquin Pheonix’s genius

    Joaquin is the Joker movie.

    He manipulated me like a master, I slipped into every emotional trap the movie laid out for us suckers:

    I sympathised with him, wanted to bring him home like an injured bird so I could tend to him and make it all okay.

    I was simultaneously fascinated and repulsed: his body distended and other-worldly; painful just to look at. Again, a grotesque injured bird.

    I rooted for him, but could never understand him. His life was sad but did not justify what he did. He was crazy – and I could get why he did what he did without thinking it was the right thing to do.

    All. The. Emotional. Notes: Hit.

    The most heart wrenching of moments are when he has his laughing fits. As he shook and choked with laughter, the shaking and choking went all the way to my core. Joaquin laughs in a way that is so believable, then twists in his Herculean efforts to stop the laughter, the self-consciousness, hatred and frustration of not being able to.

    It resonated because this is more common an occurrence than we’d like to think. For those with autism, Tourette’s syndrome, OCD, and a range of other mental disorders that makes them completely out of control of their actions even as others stare and point.

    I (and you) could easily be one of the public in Joker. A man, a boy laughing uncontrollably in the bus, and my first instinct would be to stare with confusion and, on bad days, judgement.

    Image result for joker 2019 beaten up

    My favourite scene is its opening.

    Arthur is cornered by young punks. He doesn’t fight back, doesn’t even try. His first instinct was to crouch in a fetal position, hands on his crotch and neck. Here, the smallest of details made this genuine: it tells me that this happens so often that Arthur is familiar with the routine. Broke my heart, this one.

    His prop flower and the leaking water was a nice touch – I didn’t know this until the director breakdown video, but Arthur himself triggers it.

    Yet there is something inexplicably attractive and intriguing about Arthur. Not his disconcerting acts of violence as Joker, but something inside Arthur Fleck from the very beginning.

    He is a performer. And without life beating the crap out of him, he may have discovered that. In his freedom, he finds what was always there, but in the context of revenge, chaos.

    Yet he could just as easily have been Happy, as Penny envisioned for him.

    “There is music in his soul,” instructed Todd Phillips in his notes to Joaquin Pheonix. I was most drawn to Joker as he dances: down the steps, in the subway, out into the camera at the Murray show. But it is all Arthur. Becoming the Joker didn’t make him light on the foot: he always was.

    Joaquin Phoenix portrays Arthur’s music: from the slow, sad dance in the bathroom to that care-not swag as Joker, brilliantly.

    Image result for joker 2019 opening

    Plot?

    The few contentions I’ve heard about Joker was of its plot. (Although no one outlined what exactly about the plot they didn’t like, just that they didn’t like it.)

    Fair enough, although I don’t see Joker taking on a blockbuster plot the likes of his nemesis the Dark Knight, nor should we expect it to.

    Because his story is one of a slow descent into insanity, of delusion and dreams of grandeur set in a life of isolation, humiliation, and mistreatment.

    In other words, Arthur’s life is remarkably close to yours and mine and anyone else’s. His unraveling, and the movie, is propelled not by a plot but the cruel reality of life.

    To peg it against Dark Knight or any other superhero movie, and expect him to have been dropped into a vat of toxic waste; find himself caught up in an intergalactic battle, or otherwise, is unfair.

    Joker is a story of that man in the subway with severe B.O., that co-worker who eats lunch alone every day. There is no plot, there is only life itself.

    And I love it.

     

     

    October 13, 2019

  • Europe Solo Trip 2019

    Barcelona > Seville > Paris

    One of the best trips of my life. Would not change a single thing about it.

    Some highlights:

    • Climbing Montserrat in a dress, without GPS or data connection – basically following paint marks and, eventually, the monastery sewage pipes until I found my way to the peak.
    • Having the best hummus in my life at A Tu Bolas. And the dizzying displays of sweets and pastries at the Mercat.
    • Being stalked for half an hour in Barcelona until I shook him off by being tremendously lost
    • Staying near the Gothic Quarters. I love the architecture there so much. Taking a walk early morning before everyone rises is amazing.
    • The street artists with their own brand of extraordinary art styles
    • Hotel Amadeus, classical themed hotel in Sevilla, which I cannot stop singing praises over. Afternoons spent with a drink and a book at the rooftop pool, with that beautiful Spanish sun.
    • Catedral of Sevilla and La Giralda, my favorite cathedrals – or possibly buildings – in the entire trip
    • Placa d’Espanya, my second favorite place
    • So many, many museums! Surprisingly enjoyed the tiny, off-street Museu Nacional d’Art de Catalunya (entry fee 1,5 euros) more than many others (maybe even the Louvre)
    • Call me crazy but I love long flights. Qatar was a superb choice. I could have stayed on the plane for 6 more hours and been perfectly happy.
    • Pilgrimage to Shakespeares & Company in Paris, which despite being cramped with tourists, has excellent and homely customer service :)
    • Pilgrimage to Café des Deux Moulins, a tribute to my all-time favorite movie. Where I had the best pain au chocolat in France
    • Musee d’Orsay, where I saw the works of one of my fav- (i’ve been using the word favorite a lot in this post) artist: William-Adolphe Bouguereau, and was mildly disappointed
    • Musee Rodin, my fav- (fine.) sculptor! And was entirely captured by this piece called ‘Je suis belle’. It turned out to be a combination of Falling Man and Crouching Woman, together taking on a new meaning
    • Musee Parfum, which I was looking forward to as the fragrance fiend I am. It still exceeded expectations, despite being a small and free tour. Enjoyed myself plenty.
    • Parthenon, where I spent maybe 15 minutes at Foucault’s pendulum, and then an hour next to Rousseau’s tomb. And nothing else. Worth it. To be that near to my hero’s remains: surreal.
    • Ate an ungodly amount of gelato, with zero regrets:
    September 1, 2019

  • Daily News Repository

    In a bid to read more and keep myself up to date with news!

    I shall start a daily (hopefully) repository of news I found interested. Just a short aggregation or summary.

    Before that let me do a brief of what’s been up with my life: a lot.

    I have a new job now – digital consulting. The work is exciting, challenging, and I look forward to learning everyday. While also prioritizing my friends and family and HS.

    The urge to blog barely comes by, because thoughts are just too personal to be placed online.

    But hey – thoughts about current affairs and technology. Those are things worth sharing, right?

    So here we go!

    February 24, 2019

  • be good

    Be kind. Be slow to anger. Precede judgement with understanding. Don’t second guess your instinct to help.

    Be generous. Share all the good that comes your way, even with acquaintances, even with strangers. Be genuine. Listen not to reply but to empathize. Connect with new people.

    Be open! To all things new and challenging. Accept failure and chase after it. Embrace the difficult bits of life. Enjoy the mundane and seek meaning in the grind.

    And let go of fear: fear of reaching out, fear of speaking up. Forget about how others see you – do what is right by yourself.

    Live your best life!

    #reminderstoself

    #Qing2019andbeyond

    November 21, 2018

  • The Danish Girl

    Watched The Danish Girl for the first time. It was beautiful and haunting. While most would be captured by Einar, I identified most with Gerda. To me, the protagonist of the show – the one whose emotional journey I followed most closely – was her.

    Related image

    Maybe it’s because I can never understand what it’s like to be Einar, to feel like a man or woman in the other’s body. It was strikingly poignant when she said “This is not my body” with all the conviction she had. I tried very hard to picture myself in a man’s body, as a female. But I came up empty, emotionally. I’d imagine I’ll be gay, but be alright performing maleness. I don’t know.

    But Gerda, oh Gerda. I feel every pain and love you did. The love you have for a man, who is slowly becoming something else much more important than you. To have him slowly disappear, so slow that you still have hope he’d stay, that he’s still there.

    I can even relate to the support Gerda provides him right at the start, as Einar first explores his self as Lili. I can imagine myself giving in, inch by inch, to his whims. I want him to be happy, and even if it’s unconventional, I’ll do what it takes for him to be him. And I’ll slowly fester in my own unfulfilled needs. Of losing someone.

    But at the end of the day I’ll let go too, like Gerda. With as much pain, and still as much love as she had. I found Gerda so courageous. I know that what Lili went through was tough, she was born a man but chose the difficult path to become a woman because she can’t help it. But just like Lili, Gerda wholeheartedly loves Einar, even Lili, that she chose the difficult path to keep loving her. She can’t help it.

    I know people who love so deeply that it doesn’t matter what gender their partner is or becomes. They just love them for who they are. I don’t think I can do that. I’ve never felt attracted to a woman and even if I were to love my partner if he transitions, it would not be a sexual kind of love. Of course, I wouldn’t know until it happens.

    In the mean time I’ll avoid suggesting H wear any of my dresses.

    August 1, 2018

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